Mp3 music: Billy May

Artist: Billy May: mp3 download    Genre(s):  Pop     Billy May's discography:      Cha-Cha!    Year: 1960    Tracks: 12 The final of the corking arrangers wHO wrote regularly for Frank Sinatra, Billy May had respective varied careers in and out of jazz. His first famed gig was as an arranger/trumpeter with Charlie Barnet (1938-1940), for whom he wrote the wah-wah-ing seduce arrangement of Ray Noble's "Cherokee." Later, he worked in the same capacities for Glenn Miller (1940-1942) and Les Brown (1942) in front settling into faculty jobs, first at NBC studios, then at Capitol Records, where he lED his own studio apartment vainglorious band from 1951 to 1954. His arrangements for Sinatra, rootage with Come Fly With Me (1957) and conclusion with Trilogy (1979), ar often in a debacle, tacky, even twirp swing musical mode, generating some of the singer's nearly haughty vocals. May likewise did panoptic scaling for television, film, and commercials. Although May was largely inactive in the '80s and '90s , he out of the blue surfaced in 1996 with some typically smart turgid band charts for funny Stan Freberg's The United States of America, Vol. 2 (Rhino), 25 long time later his contributions to Vol. 1. The vet organiser died softly at dwelling house on January 22, 2004 at the age of 87.

Download Baton Rouge mp3

Artist: Baton Rouge: mp3 download    Genre(s):  Rock: Hard-Rock     Discography:      Lights Out On The Playground    Year: 1991    Tracks: 12 Baton Rouge is an American hard rock striation from Louisiana lED by singer Kelly Keeling and featuring Lance Bulen (guitar), David Cremin (keyboards), Scott Bender (bass), and Corky McClellan (drums). Their debut album, Shake Your Soul reached the charts in 1990, just the followup, Lights Out on the Playground, was non as successful.

Painting the TweetMind: the data art of StreamGraph

Tom Cruise�s �Tropic Thunder� Cameo Is Not Actually All That Funny

Photos: Courtesy of Dreamworks; Getty Images

As you may have read here, here, here, and everywhere else, Tom Cruise � previously though to be a batshit, couch-hopping, past-his-prime albatross who was single-handedly sullying the United Artists name � is resuscitating his career! Not with his eye-patch-wearing lead in Valkyrie, but with an uncredited (but endlessly hyped) bit part in Ben Stiller�s Tropic Thunder, as balding, foul-mouthed film exec Les Grossman. Everybody who's seen it says he�s going to be a star again! "For two hours," sighs Fox's Roger Friedman, "all that other stuff associated with him floats away, and you just get to enjoy that kid we met such a long time ago."

Or not. Not to get all spoilery (which apparently is okay with studios when you praise their product), but Cruise just isn�t that funny in Tropic Thunder. Sure, he wears a fat suit and spoofs a Sumner Redstone�ish blowhard who likes to yell. But a cussing Tom Cruise is not really a shock � after all, nobody thinks Tom Cruise is exactly level-headed. We�ve all seen him beady-eyed and angry on the Today show, attacking anyone who�s ever taken psychiatric meds. It's not like you never thought he had it in him.

But and then there's the dancing! As has been teased endlessly in the movie's positivistic hype, Cruise�s main comedy stunt is to dance to hip-hop, bumping, grinding, and air-spanking � yet another middle-aged actor milking yuks out of how white guys don�t know how to shake their flabby whiteness rumps. It's not incisively the freshest gag; Steve Martin finished off the trope in Bringing Down the House. It gets less fresh the longer it's onscreen � and it's onscreen forever. It makes him seem older and tied more out of touch, and it's just not funny anymore to see a steadfast white dude dancing care a black guy. (In fact, now that we think about it, could Tom Cruise's racial ventriloquism actually be more queasy than Downey's blackface? At least the blackface makes sense.)


As many B-list starlets would undoubtedly tell Tom Cruise, booty-shaking probably won't resuscitate his career. Cruise's big problem is that he seems stuck in the mould of an eighties stud, and hasn't found a way to connect in a generation of leading men like Will Ferrell and Seth Rogen. Cruise is floundering. And this cameo just now makes him look a little missed and nearly pathetic � shucking and jiving, trying to appeal to the younger moviegoers who ar abandoning him.

But here's hoping that he wears the eye patch easily. �Logan Hill

Earlier: The Summer of Brownface

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Zero Zero

   
Artist: Zero Zero

   Genre(s): 
Drum & Bass
   

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Discography:


   
 The World Famous Killer EP

   Year: 1992   
Tracks: 4

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Lil Jon and the East Side Boyz

   
Artist: Lil Jon and the East Side Boyz

   Genre(s): 
R&B: Soul
   Other
   Rap: Hip-Hop
   

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Discography:


   
 Put Yo Hood Up

   Year: 2006   
Tracks: 21


   
 Kings of Crunk (Special Edt. )

   Year: 2004   
Tracks: 29


   
 We Still Crunk

   Year: 2000   
Tracks: 17


   
 Get Crunk, Who U Wit: Da Album

   Year:    
Tracks: 17

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Mat Kearney

   
Artist: Mat Kearney

   Genre(s): 
Rock: Pop-Rock
   

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Discography:


   
 Nothing Left to Lose

   Year: 2006   
Tracks: 13

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Born in Eugene, OR, singer/songwriter Mat Kearney began his musical life history at California State University, Chico, where he studied lit and played on the soccer team. After complementary his junior year, Kearney went to Nashville with quaker and producer Robert Marvin, with the aim of only staying the summer to lay down a few songs. However, after the offers for transcription deals began coming in, Kearney decided to remain in Tennessee to severely follow music. His interesting blend of rap and tribe intrigued Inpop Records, which offered Kearney the carry on he was looking for for and released his debut album, Bullet, in 2004. His followup, Nada Left to Lose, recorded at Dark Horse Studios in Nashville, set up Kearney departing slimly from his rhymes and concentrating more on guitar work, and was issued by Aware/Columbia Records in 2006.





Goya, Francis

Serial Joe

   
Artist: Serial Joe

   Genre(s): 
Pop: Pop-Rock
   

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Discography:


   
 Serial Joe

   Year: 2000   
Tracks: 12

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At an age when almost boys' lives are consumed by the likes of pubescence and G.I. Joe, the members of Serial Joe were busy edifice their music careers. Ever since the rock band north Korean won the 1998 Much Music Video Award for Best Independent Video ("Skidrow"), their heavy act gainful off. Awards and nominations began rolling in and attention for the Newmarket, Ontario, Canada-based ring has been gaining unbelievable momentum. After unrelentingly playing in their parents' basements since 1997, Serial Joe decided it was meter to go public. The ambitious young group severally released their number one record album, Kicked, in 1998. In 1999, they received a YTV Achievement Award for Best Band and were nominative for the Much Music Video Award for Best Rock Video ("Mistake"). They were prestigious to play Woodstock '99 as comfortably. In 2000, they won a Much Music Video FACT Award for Best Video ("Deep") (the award was presented by Paul Stanley and Gene Simmons of Kiss during a tour with the famed glam rock band). 2000 proven to be an regular better class for the young banding; bassist Jon Davidson was 17, vocalist/guitarist Ryan Dennis was 17, guitar player Ryan Stever was 18, and drummer Dan Stadnicki was 17. Serial Joe has earned a number of prestigious nominations, including a 2000 Much Music Award nomination (People's Choice Award for Best Canadian Band), a Juno nomination for Best New Band, and a Gemini Award nomination for Best Specialty Show (YTV Achievement Awards, tenth Anniversary Show). In the summer of 2000, the striation released its second album, Serial Joe (Aquarius Records), on which they got a chance to work with Dave "Rave" Ogilvie, manufacturer of such artists as Marilyn Manson, Jane's Addiction, and Nine Inch Nails. Serial Joe's debut record album, 2000's Face Down, with Aquarius/DKD Group, has gone atomic number 78.